[Tekst dostępny tylko w języku angielskim] Francesco Baiocchi tries mainly to tell his age with the use of colors, shapes, movements, noises, sounds.
The idea of the music that is never separated from painting, images, clips, lights, shadows, summing up this process with the aid of videos, is in turn the need for an art capable of reaching the audience through a game of synaesthesias.
A process that simultaneously develops all its forms, trying to represent the conflicts and problems of...[Tekst dostępny tylko w języku angielskim] Francesco Baiocchi tries mainly to tell his age with the use of colors, shapes, movements, noises, sounds.
The idea of the music that is never separated from painting, images, clips, lights, shadows, summing up this process with the aid of videos, is in turn the need for an art capable of reaching the audience through a game of synaesthesias.
A process that simultaneously develops all its forms, trying to represent the conflicts and problems of the present.
The music acts in the same direction of the visual art.
The idea of the music that is never separated from painting, images, clips, lights, shadows, summing up this process with the aid of videos, is in turn the need for an art capable of reaching the audience through a game of synaesthesias.
A process that simultaneously develops all its forms, trying to represent the conflicts and problems of...[Tekst dostępny tylko w języku angielskim] Francesco Baiocchi tries mainly to tell his age with the use of colors, shapes, movements, noises, sounds.
The idea of the music that is never separated from painting, images, clips, lights, shadows, summing up this process with the aid of videos, is in turn the need for an art capable of reaching the audience through a game of synaesthesias.
A process that simultaneously develops all its forms, trying to represent the conflicts and problems of the present.
The music acts in the same direction of the visual art.
Występy (2)
