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P41
[Tekst dostępny tylko w języku angielskim] P41, acronym of Parallel 41: a collection of sound images, heterogeneous and as far from each other as a journey around the planet, restored in a post-modern design so consistent to impress because of its power and elegance.

The leitmotif is the observation, the observer is Edoardo Pietrogrande, sound engineer with a taste of dance-floor born in the most introspective and open side of Rome, inspired by his club-culture and grew up in its basement...
[Tekst dostępny tylko w języku angielskim] P41, acronym of Parallel 41: a collection of sound images, heterogeneous and as far from each other as a journey around the planet, restored in a post-modern design so consistent to impress because of its power and elegance.

The leitmotif is the observation, the observer is Edoardo Pietrogrande, sound engineer with a taste of dance-floor born in the most introspective and open side of Rome, inspired by his club-culture and grew up in its basement flats, between machines, benches mixer and analog synthesizers.

Edoardo lauches the project P41, after a 10-year journey as dj-procucer, strolling among Brancaleone, Room 26, Studio 80 Amsterdam, Street Parade, Amore music experience 2013, Off Sonar and Barrakud festival, just to name a few, alongside pionneers such as Carl Craig, Simian Mobile Disco, Laurent Garnier, John Hopkins, and many others. Toggles the dance-floor to chairs in Fonderie Sonore (Rome) and SAE institute (Milan) where he plays the role of Lecturer in electronic music production.

The creative turning point is consumed alongside Francesco Tristano in 2012, who chooses Edoardo as his live sound electronical-engineer; since then the horizons open themselves to overwhelming experiences of cross-contamination between piano and computer programming, including classical and electronic music, creating an organic music concept, where the creative process has no-limits.

Boiler Room Paris, Sonar Traffic Studio and the fiftieth anniversary of the Fondation Royaumont in conjunction with tours in Latin America and Europe, talking about the increase of the eclectic and complicated, as much as solid and profound, path that led Edoardo here, to the Parallel 41.

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